The companies LOLDANSE (France), Dança Multiplex (Brazil) and the multimedia artist Joséphine Derobe are the leaders of Impermanence, a research project based on the notions of deceleration, partition of movement and the relationship between dance, music and technology. Materialised by a composition of bamboo, the artists create an immersive and dreamlike scene. 

Their residency took place at the Théâtre Chaillot in Paris and then in Belo Horizonte, Brazil. Discussions, rehearsals open to the public and residency outings are proposed. 

Le bruit des pierres is a project initiated by two artists from the French collective Maison Courbe: Domitille Martin, visual artist and scenographer, and Nina Harper, dancer and circus artist, with assistance from Brazilian director Ricardo Cabral. The artists conceived an aerial structure made up of suspended stones, on which it is possible to move and where the visual and living arts interact. 

Their residency in Brazil took the form of numerous public activities: workshops, open rehearsals, professional laboratories and a residency presentation. Their research continued at the MC2: Maison de la Culture de Grenoble. 

Le futur est ancestral, by the company Sine Qua Non Art, Fábio Motta and Felipe Vian, explores the notion of body-scenography, thinking of the physical envelope as a mobile stage. This project is presented as a manifesto of the bodies of the 21st century, torn between ancestrality and capitalism, made of transformations, rituals and contemporary re-readings. 

Their residency in Brazil took the form of workshops, a performance in São Paulo and photographic and video experiments in interaction with architecture, at the crossroads of performance, dance and visual arts. The artists will continue their research at the Théâtre Chaillot. 

The Brazilian company Eclipse, in collaboration with krump dancer JamsyNoizz, have created the show Afrokosmos, mixing hip-hop culture and Brazilian and French urban dance. From an Afro-futuristic perspective, the project proposes a musical and choreographic hybrid between capoeira and krump and between Afro-Brazilian and Afro-American heritage. 

Their residency in Brazil took the form of krump-capoeira workshops, a performance of JamsyNoizz's solo and screenings of the documentary Les Indes Galantes by Philippe Béziat, a hip-hop adaptation of the opera of the same name in which the artist performed. They continued their research at the MC2: Maison de la Culture de Grenoble.