Inspired by the botanical greenhouses of the 19th century, the installation NFT pH<7 logique (2019) is installed in the hall of Villa Merkel.

This hyperconnected multisensory ecosystem combines plants and technological tools (soundtrack, light sources, fog machine…).

The whole is controlled by an algorithm that makes the “climate” in real time by setting off its components randomly from climate data collected on Twitter.

The outer rooms accommodate new works, that continue the story started by the main installation.

Strange soft and phosphorescent forms have transformed the material of industrial waste.

The film Drop out (2020), filmed in New Zealand, takes us into kaleidoscopic worlds where states of crises and permanent mystery reign.

A weak aquarium that sunk under a video screen takes in a plant with visions that scroll over the screen in a sequence of abstract forms, implying other intelligences, not human, but botanic.

A series of luminous artefacts that seem to communicate between themselves using light signals through spaces bathed in a blue light with ultraviolet effects.

Long phosphorescent worms lie here and there on objects that have shed their skins.

Suspended from the ceiling, a final machine, Quantum (2020), seems to be controlled by plants that control the illuminated breathing and troubling sound modulations.