With his staging of Liliom, Jean Bellorini immerses the spectator in a world where dreams meet misery, and confirms his position as a prodigy of the French theatre.

In End of Europe, Rafael Spregelburd plays with the theme of the end using humour that combines irony and cynicism: isn’t it better to laugh at all those who proclaim the end just to take advantage of the terror it arouses?

When Joël Pommerat adapts Carlo Collodi's famous tale, the result is a beautiful, dark show, which takes young and old alike on the adventures of the famous long-nosed puppet.

After his noted Playing War like Playing Gameboy (“À la guerre comme à la Gameboy”), Cameroonian author Edouard Elvis Bvouma again examines the lives of children tormented by civil war in The Bearded Doll, the tale of a sexually-abused young girl.

Blending the violence of war with movements from Syrian dances, Mithkail Alzghair uses dance to tell a tale of exile – his own and that of his fellow countrymen.

With Wrought, Rachid Ouramdane sketches a modest portrait of two of his dancers. An intimate diptych, in the tradition of the choreographer’s documentary pieces.

Pause the frenetic pace of the city; for a moment, create a joyful parenthesis and invite passers-by to share an unexpected show: this is the idea behind A Hole in the City.

With Dans l’engrenage, the Dyptik company depicts a group of individuals caught up in the routine of work: idealists, they try to escape a system… which sucks them up once again. Our society decoded by seven virtuoso dancers.

Joris Mathieu and the artistic collective Haut et Court invite us to discover an "artefact": a little “optical theatre” where artificial intelligence provides the show.

A loud, but not deafening dance show, To Da Bone, by the (La)Horde collective, plunges into the world of Hardtek and examines the political aspect of Jumpstyle.

Why do men revolt and take power? With It will be ok (1) End of Louis, created in 2015, Joël Pommerat explores the revolutionary process in a breath-taking show inspired by the French Revolution.

With Soka Tira, the Basinga company invents has created another approach to tightrope wire walking. Tatiana Mosio-Bonga not only walks on a tightwirerope: she challenges examines the invisible wires that connect us and make help us live together.

With It’s not yet midnight..., the tumblers and acrobats of Company XY have created an ensemble-based circus show in which they push the boundaries of their art form.

Presented at the 2016 Avignon Festival, Espaece by Aurélien Bory invites the theatre into the theatre. The five performers of this hybrid work, a tribute to Georges Perec, invite us to observe the stage in all its aspects.

For his show, He Who Falls, released in 2016, Yoann Bourgeois plays with balance, in a bold performance combining dance and circus.