Somewhere between the end of the Indochina War and the twilight of the twentieth century, Caroline Guiela Nguyen brings us the stories of Vietnamese exiles. The dramatist draws out a gentle, colourful melodrama from these voices.

With Suite n°2 Joris Lacoste has created an ambitious project that compiles speeches recorded around the world, combining music, theatre and poetry.

By adapting Andre Gorz's declaration of love to his wife Doreen, David Geselson tells the story of a couple who have spent fifty years and are preparing to die together.

With his staging of Liliom, Jean Bellorini immerses the spectator in a world where dreams meet misery, and confirms his position as a prodigy of the French theatre.

With Six Characters in Search of an Author, Emmanuel Demarcy-Mota has created a perennial version Pirandello’s play, successful since its creation in 2001.

Pause the frenetic pace of the city; for a moment, create a joyful parenthesis and invite passers-by to share an unexpected show: this is the idea behind A Hole in the City.

With strength and energy, Unwanted by Dorothée Munyaneza recounts the trauma of wartime rape. The young Rwandan artist gives a voice to women and children who are often silenced.

Human-sized puppets, videos and live music: Yngvild Aspeli and the Plexus Polaire company act out the final hours of Valerie Solanas, a radical feminist who attempted to murder Andy Warhol on June 3, 1968.

Alone on stage, Emmanuel Noblet delivers a virtuoso adaptation of Maylis de Kerangal’s novel, the story of a heart transplant that has moved readers around the world.

Why do men revolt and take power? With It will be ok (1) End of Louis, created in 2015, Joël Pommerat explores the revolutionary process in a breath-taking show inspired by the French Revolution.

Performed in 2018 at the Abrons Arts Center in New York, Pollock brings the tumultuous duo of the American painter and icon of abstract expressionism, and his partner Lee Krasner back to life on stage.

In End of Europe, Rafael Spregelburd plays with the theme of the end using humour that combines irony and cynicism: isn’t it better to laugh at all those who proclaim the end just to take advantage of the terror it arouses?

After his noted Playing War like Playing Gameboy (“À la guerre comme à la Gameboy”), Cameroonian author Edouard Elvis Bvouma again examines the lives of children tormented by civil war in The Bearded Doll, the tale of a sexually-abused young girl.