Having worked with many prestigious orchestras, François-Xavier Roth conducts, with an inspiring virtuosity, baroque pieces and contemporary creations. A portrait of one of the most inventive conductors of his generation.
Specialising in the youth and events of May 1968, historian Ludivine Bantigny explores the relationship of civil societies with political spheres in order to imagine what the power of tomorrow might look like.
His discovery of French cinema led this young Korean artist to become a director. Through his lens, Jero Yun questions the artificial separation that divides the two Koreas and goes in search of these enemy brothers.
She was the only woman on the team of full-time artists at Charlie Hebdo. Catherine Meurisse narrowly escaped the 7th January 2015 terrorist attack on the satirical newspaper’s headquarters. She continues to draw despite her fallen comrades.
The extraordinary rise of the Franco-Israeli jazz pianist Yaron Herman has brought a breath of freshness and modernity to jazz without sacrificing the musicality of his compositions, which are meticulously executed with authentic virtuosity.
Les Kapsber'Girls: two singers and two instrumentalists, trained at the Lyon Higher National Conservatory of Music and Dance and passionate about the music of the 17th and 18th centuries, which they perform in the hopes of updating it for modern tastes.
With The Class (“Entre les murs”), Laurent Cantet joined the exclusive club of French filmmakers who have won a Palme d’Or at Cannes. A subtle filmmaker, he trains an x-ray on the links between the intimate and the communal.
An iconic figure in the world of contemporary Arabic comic books, the Egyptian Mohammed Shennawy is a trailblazer, willing to denounce the shortcomings of a country and a society in the midst of a major transition.
Gisèle Vienne’s work illuminates what lies in shadow, the hidden side buried in each of us. Constantly torn between perfection and horror, her creations explore violence, returning the full cathartic dimension to the performing arts.
Rather than using his writing talent for “theses that never get read”, Mohamed El Khatib prefers to create shows with the people he meets, especially those would never have thought of stepping foot in a theatre.